There are people who think they find the key to their destinies in heredity, others in horoscopes, others again in education. For my part I believe that I would gain numerous insights into my later life from my collection of picture postcards …
Walter Benjamin. W. is reading my notebook and examining my collection of picture postcards. The Pilgrim's Mayflower Steps & Monument, Plymouth, he reads. A black and white photo of the old harbour, old fashioned streetlamps and cranes behind. – 'When's that from?', he asks, but the postcard is undated.
Then a picture of the Promenade from 1930, this one sepia coloured, apparently taken from the old Grand Hotel on the Hoe, and looking along the coast to the Barbican. Then a coloured drawing, picturing the Hoe from the other direction, with Smeaton Tower on the left and the war memorial farther off on the right, and Mount Edgcumbe visible beyond.
Then a fine picture of the lido on Tinside, bathers gathered on the steps, and the Citadel visible towards the top right of the picture. – 'There's writing on this one'. W. reads it out. 'Just to let you know we are having a lovely time. The rain here makes us feel tired and sleepy, am going to bed now. Look after yourselves …'
And finally, a simple sepia view of children playing in front of Smeaton Tower: one toddler pushes another in an old-fashioned pushchair; a boy in a sailor suit sitting beside a spread picnic blanket looks into the camera. Where have all the adults gone?, we wonder. A girl in the distance, hands on hips, caught mid dance. She's strutting, we agree. W. is a tremendous strutter, and sometimes, when I beg him, he struts up and down the corridor like Mick Jagger on stage.
Benjamin was a great writer of postcards, I tell W. He always requested them back from his correspondents as a record of his travels, and even planned an essay on the aesthetics of the postcard, which he sketched, appropriately enough, on the back of a postcard to a friend:
If you pursued further the skewed bits of the petty-bourgeois stage of dreams and desires, then I think you will come across wonderful discoveries and perhaps we will meet each other at a point which I have been gauging with all my energy for a year without being able to hit it in the centre: the picture postcard.
Benjamin made his friends promise to return his letters, too, so he could use them as the basis of a diary. 'There are few more difficult tasks for a writer than a diary …'
Do I think he should keep a record of my emails to him?, W. asks. And what about our Microsoft Messenger conversations, our masterpieces? He'll write me a postcard, W. says, picking up the last one and writing Lars is a twat on its back. What will posterity make of that?